Starring: Joseph Gordon-Levitt, Seth Rogen, Anna Kendrick,
Bryce Dallas Howard, Anjelica Huston & Philip Baker Hall
Directed by Jonathan Levine for distribution by Summit Entertainment
The Plot: Two friends depend on humor and each other, when one is diagnosed with cancer.
The Final Word: When your main bread and butter franchise is “Twilight,” it gives you creative ability to finance award-bait like “The Beaver” and “50/50.” Granted, while “Beaver” underperformed, that had more to do with Mel Gibson backlash than anything else…still don’t be surprised if his name pops up again during award. Regarding “50/50,” this is dangerously close to “Funny People” territory which the public wasn’t quick to embrace. Either way Levitt has some serious indie credibility following the successful “500 Days of Summer” and he will draw.
Starring: Daniel Craig, Naomi Watts, Rachel Weisz,
Marton Csokas, Elias Koteas & Jane Alexander
Directed by Jim Sheridan for distribution by Universal Pictures
The Plot: An author moves him family to small New England town only to find their new dream house was the site of a brutal murder and the killer is still at large.
The Final Word: Watts broke through with the horror classic “The Ring” and she returns to that genre here alongside some of the same behind the scenes folks. Although horror films are a tricky genre, they either light the box office on fire or fair to scare up profits, which is incidentally also the way Craig films have tend to be as of late (minus of course his Bond films). It’s also worth noting that Craig has since married co-star Rachael Weisz which help enhance the movie’s buzz.
WHAT’S YOUR NUMBER
Starring: Anna Faris, Chris Evans, Zachary Quinto, Joel McHale,
Andy Samberg, Dave Annable, Ed Begley Jr. & Thomas Lennon
Directed by Mark Mylod for distribution by 20th Century Fox
The Plot: A woman dives through her dating history believing she’s already met the man of her dreams and broke up with him.
The Final Word: Anna Faris has tried for years to breakthrough as something other than the “satire” girl, but keeps being pulled back into that genre. “Number” on paper doesn’t look much different than most of the films on her resumes and probably won’t do that much box office damage, despite an impressive array of supporting comedic talent.
Previewed next week: The Ides of March, Real Steel